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Chaldean Architectural Influences Throughout Iraq
By Bedre Konja :: Sunday, May 6, 2012 :: 53553 Views :: Article Rating :: Community & Culture

For years, Western media has only depicted one kind of reality of Baghdad.  The images broadcast an unending sample of rubble and wreckage as the city's true and only condition.  It is easy to believe the images given the decades of war.   The world has been made to believe Baghdad is in a constant saturate of fractured, blown-apart, gouged-out landscape and buildings.


To see beyond the biased eyes of media one will find instead a historic city that perseveres and has clung to its wonderfully amalgamated heritage with tenacity.

Chaldean architects have played a major role in influencing the world with their enduring display of artistic architectural resourcefulness. Since the cradle of civilization began to form, the kingdoms of Chaldea, which ruled the Tigro-Euphrates valley, began to build.  The scarcity of timber and the lack of good building-stone except in the limestone tablelands and more distant mountains of upper Mesopotamia, the abundance of lay, and the flatness of the country, imposed upon the builders restrictions of conception, form, and material.  

Nonetheless, what emerged from such limited and harsh conditions was nothing short of remarkable.  The Chaldeans had attained a high civilization before 4000 B.C., and had for centuries maintained fixed institutions and practiced the arts and sciences.

Excavations at Nippur (Niffer), the sacred city of Chaldea, have uncovered ruins older than the pyramids.  The discovery reveals the early knowledge arch and the possession of an advanced culture.  The limitation of building materials of the region afforded only the most limited resources for architectural effect.  But the Chaldean genius prevailed and has stood the test of time.  

Chaldean architects have passed on their genius, resourcefulness, and ability to adapt to different environments from one generation to the next.  Chaldeans have long shared their skills and insight with neighboring groups and embraced a variety of styles, approaches, tools, and assembly.  The effect has been an everlasting and perseverant showcase of building-art.  

The central motif of Baghdad's architectural evolution is the centuries-old artistry gained by the use of brick as a building material and ornamentation as embellishments to the urban living cells. In fact, much of the architectural skill of Baghdad's homes and buildings is due to the now sadly declining trade of the ustas or Baghdadi master masons, who excelled at brickwork, which is at the core of the city's architectural continuity.

From the early Mesopotamian era Chaldean brought forward the building art to the Hellenistic times followed by the stunning architectural configurations of the Abbasid Empire, to the reign of Harun Al Rashid— the combination of time and influences gave the city a unique palimpsest.  Combined with Chaldean influences other major milestones in Iraq’s history impact the country’s building designs.   

The Ottoman reign beginning in 1534 cast a unique ochre layer over Baghdad. Jean-Baptiste Tavernier (1605-1689), the great French traveler and pioneer of trade, describes Baghdad thus:

"…the houses were always made of vulnerable dried brick work, baked by the sun, of a lovely monochrome hue ranging from creamy beige to ochre to saffron according to the time and light."

The influence of British rule is 20th century's layer in the architectural strata of Baghdad.  The British were the first directors of the modern Public Works Department (PWD) in Baghdad starting from 1920. It is logical that their education and professional skills had to intermingle with the Iraqi building tradition.

Architect J.M. Wilson, was the director of Baghdad's PWD at that time, and influential in the planning of an "Arab Architectural Renaissance" in Iraq in the 1920s.

Before the creation of the School of Architecture within Baghdad University in 1959.  The houses and public buildings were mostly executed, and sometimes, even designed by ustas.  In fact, this superlative knowledge of brickwork has an unbroken connection to the Chaldean times.

The new techniques and designs taken from Europe at the start of the 20th century, combined with the city's tumultuous socio-political history, lent Baghdad the next stage in an originality that sets it apart from its peer cities like Damascus, Beirut, Aleppo and Cairo.

From the Twenties to the Fifties, residential architecture becomes a model of excellence, inventiveness and know-how. Where the other countries worked with stone, stucco or wood, and before the generalization of the use of concrete for building, brickwork allowed Baghdad to become, along with the birth of its own vernacular style, the harbinger of the architectural renaissance.

The salient features of this period of design co-habitation defined, in residential terms, of classical-cultural aspects such as inner courtyards, personal spaces as per familial absolutes, facades, balconies, intricate detailing on surfaces and introduction of newer materials as design accessories.

Homes in Baghdad began adopting an outward facing design as opposed to the traditional inward facing seclusion of space.  The Baghdad of the Twenties to the Fifties became wealthier and its urban visual identity became absolutely unique.  Despite their common points, its Ottoman bay windows with those of Beirut; nor to take a Baghdadi Shanasil for a corbelled window in Aleppo, or its ‘urban cottages' for those existing in Tehran; the Neo-Baroque style of Waziriya is not the same as that in Alexandria, its peacock-feather balcony railings are not to be confused with those of New Delhi.

The architectural future of Baghdad remains in flux as decades of neglect, abandonment and dilapidation.  The quarter century of wars have provoked a huge exoduses of educated Iraqi people, professors, and architects.
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St. Thomas, MI USA

St. Thomas Chaldean Catholic Church
6900 Maple Rd.
West Bloomfield, MI 48322
Tel: (248) 788-2460
Fax: (248) 788-2153

Founding Pastor:
Rev. Hanna Cheikho

Current Pastor:
Rev. Frank Kalabat

Parochial Vicar:
Rev. Jirjis Abrahim

Rev. Emmanuel Rayes, Retired  


Rev. Frank Kalabat
 

Rev. Frank Kalabat was born in 1970 in San Diego, California and entered St. Francis Seminary of San Diego, California.  The admission to the Catholic seminary made him the first born U.S. Chaldean to enter an American seminary.  In 1992, Fr. Kalabat continued his studies at Sacred Heart Major Seminary in Detroit, Michigan.  In July 1995, shortly after graduation he was ordained as priest by His Excellency Bishop Ibrahim N. Ibrahim.  

Fr. Frank chose Mother of God Parish in Southfield, MI. as his first assignment serving the Chaldean community as an associate pastor for half a decade.  In 2001, Fr. Kalabat was elected to serve as Pastor of St. Tomas Parish in West Bloomfield, Michigan where he remains today.   

Rev. Jirjis Abrahim

Rev. Jirjis Abrahim was born in Telkaif, Iraq in 1942. Upon graduation Fr. Abrahim was admitted to St. Peter Chaldean Seminary in Baghdad, Iraq.  After a decade of studies and numerous degrees, Fr. Abrhim was ordained a priest in 1967.  He chose to continue ministering in Baghdad, Iraq.  There he was appointed the headmaster of the catechism at Mother of Sorrows Cathedral.  Fr. Abrahim also assisted St. Therese Church in Baghdad until 1978.  Afterward he was asked to assist St. Joseph Church in Baghdad and was appointed Parochial Vicar from 1978-1992. 

In 1992, Fr. Abrahim was called upon to assist the growing Chaldean population in Michigan.  Upon his arrival he was assigned to St. Joseph Church in Tory, Michigan.  Two years later Fr. Abrahim was asked to become the pastor of a Parish community in Windsor, Canada  where he remained the parish pastor until 2001.

Continuing demographic changes in Michigan required Fr. Abrahim to return to St. Joseph Parish in Tory as a Parochial Vicar, where he remained until 2006.  In 2006 he was elected to St. Thomas Parish as Parochial Vicar in West Bloomfield, MI. where he currently serves the Chaldean community.

 

Rev. Emmanuel Rayes

Rev. Emmanuel Rays was born in Araden, Iraq in 1930.  He studied at St. John Dominican Seminary and was ordained to the priesthood in 1954.  The Chaldean catholic ambassador ministered in northern Iraq from 1954-1963, in Syria and Lebanon from 1963-1980, and in the United Stated from 1980 to the present day.
 
Form 1980-1983, he was appointed associate pastor at Mother of God Parish in Southfield, Michigan.  From 1983-1989 he served as pastor at Sacred Heart Parish in Detroit, Michigan.  During the early 1990’s he ministered to the Chaldean community in Farmington Hills and was at St. Joseph Parish in Tory where he was Parochial Vicar until 2000.

Although Fr. Rayes retired in 2001, he remains active in serving the community.  He is the author of many articles in Arabic and is the editor-in-chief of the Al Mishal and Al-Tariq magazine.  He has translated and continues to translate many books from French and English into Arabic.